Jimmy Olsson’s latest short, “Notes,” is the cathartic relationship movie you didn’t know you needed.
One of the most difficult parts of living alone is the silence. If it weren’t for FaceTime lunches with friends, work calls, and daily conversations with my cat, there might be days where I didn’t even hear the sound of my own voice. When my TV is off, my phone stops buzzing and there’s no sounds coming from outside, there’s this brief terrifying moment where I wonder if everyone else on Earth has disappeared. Even if I break the silence by talking to myself, it feels like I’m just sending my voice out into an empty void where no one will ever hear it. Writer/ director Jimmy Olsson captures this kind of loneliness in his short film, Notes, in which he offers a hopeful answer to the question that appears on the poster, “how can you speak when you have no one to talk to?” In Notes, a man moves into a temporary apartment after his bathroom floods, where he proceeds to work on a song he’s composing for his girlfriend’s birthday. He’s a little rusty on the keyboard and can’t quite find the right notes, but his neighbor chimes in through the wall to help him out.
Originally published on Elements of Madness.
With limited resources at hand, the incredible cast and crew of A Ghost Waits truly came through with teamwork and creativity. Making the most of what they had and pooling resources from family and friends, the team shot the movie in Cincinnati, Ohio, in 2016. After its first public screening at Fright Fest Glasgow in March 2020, the movie underwent a few more tweaks and changes before it was released for streaming on Arrow in February 2021. The final version of this quirky horror/romcom is a testament to the crew’s perseverance and collaborative efforts, showcasing their enormous love for filmmaking. In the words of director and co-writer Adam Stovall, the movie isn’t perfect, but it’s “the best version of itself” possible. You can now get the full scoop on the story behind the film from the interviews and commentaries included on the Blu-ray from Arrow Video, which makes the perfect gem to add to your home collection.
Samarth Mahajan subverts expectations with "Borderlands", a human-focused documentary illustrating the effects of political borders on the Indian subcontinent.
I don’t think that anyone has ever convinced me to change my mind about my political or moral beliefs by using academic theories and 25-cent vocabulary words. However, when someone tells me a personal story, I can’t help but open my mind to new thoughts and ideas. As I participate in and observe political battles on social media, I’ve also learned that it’s easier to communicate with others via storytelling rather than through theoretical explanations filled with progressive buzz-words (which will just make people mad unless they already agree with you). Naturally, then, a narrative film can easily garner sympathy from a wide audience, while a politically-charged documentary will struggle to communicate with audience members who don’t already agree with its message. This is unfortunate, since many narrative films about social justice issues often go all-in with the drama, making the audience feel like they’ve done their part just by displaying an emotional response (as in, “I thought The Help was sad so clearly I’m not racist.”) So, what are some effective strategies that filmmakers can use to educate their audience about social justice issues? Samarth Mahajan gives us some ideas with his human-centered documentary, Borderlands.
Michael Bryce and Darius Kincaid are back, marking the return of summer action and adventure at the movies.
One unexpected side effect of quarantine (for me, at least) was content fatigue - specifically, streaming content fatigue. At first, I was excited to use my newfound free time to catch up on all the movies and shows I had missed. But once I finished Tiger King, I just couldn’t seem to commit to anything new. I was so overwhelmed by the number of choices that I ended up watching the same things over and over again. With new movies and shows coming out every day, there’s pretty much an infinite number of choices. It’s now more difficult than ever for filmmakers to get us interested in their projects (not to mention, getting us to sit through a feature-length movie). But if there’s one technique that’s still a sure-fire way to gain attention from a mass audience, it’s star power. There are certain names that are sure to get millions of clicks on a streaming site - and now that theaters are opening again, those names can also get us out of the house and into a theater seat. An all-star cast can give a formulaic sequel like The Hitman’s Wife’s Bodyguard the leg up it needs to attract a crowd, even if that crowd probably won’t come back for a second viewing.
Originally posted on Elements of Madness.
Storytelling is essential. It’s one of the easiest ways to communicate our values, express our beliefs, and process our experiences. Even our 280-character tweets are a form of storytelling, and many of us couldn’t make it a single day without a little micro-storytelling on social media. While it’s natural for us to jump into a detailed account of our own experiences, it’s not as natural to stop and listen to a different perspective. Movies and TV shows can give us the opportunity to explore other perspectives by replaying the same event from different points of view, the results of which can be comedic, horrific, or totally mind-blowing. In the case of The Get Together, we get to experience a Friday night party from the perspective of four very different twenty-somethings: an outcast who wasn’t really invited, a nervous guy trying to plan the perfect proposal, a career-driven student who returns to her hometown for the first time in months, and a wannabe musician who’s wondering if his dreams might be too big.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."