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Diary of a SpectatorMovie and TV reviews
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Originally published on Elements of Madness  Among the list of things that you might expect to save your life one day, perhaps one of the least likely is a night with an escort and a headfirst dive into the world of feminist pornography production. For middle-aged housewife Morgana Muses, who had silently suffered through a loveless, sexless marriage for years, it just so happened that the simple act of holding hands with an escort while on a date to the theatre was exactly what she needed to start fighting back against overpowering suicidal thoughts. In a fantastical documentary about her life, which is simply titled, Morgana, this housewife turned porn-star shares the story of how she left behind a hollow, meaningless life to pursue a career in adult films, embarking on a healing journey that would give her the identity and community she had always craved. Directed by the feminist dynamite duo of Isabel Peppard and Josie Hess, Morgana is not just a documentary about porn and sex-work, but an invitation to flourishing self-love. As an official selection of this year’s Fantasia International Film Festival, Morgana gives women of all shapes, sizes, and ages permission to seek out people and communities that can meet their basic human needs, sexual or otherwise.
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Originally published on Elements of Madness  Anyone familiar with rape-revenge films knows that the formula for this horror sub-genre can be particularly tricky. While the genre continually offers up new ways for audiences to process and discuss trauma, rape-revenge films can be quite problematic when not handled correctly. Writer/director Teddy Grennan’s latest film, Ravage, thankfully avoids one of the most common and offensive clichés of the genre: sexualizing the protagonist as a victim of violence and trauma. Unfortunately, however, Ravage also manages to create new problems of its own.
 The 2020 American presidential election is well underway, one that may prove to be the most interesting (or frustrating) elections of the past few decades as the candidates navigate campaign strategies in the midst of a global pandemic. As voters tune in to the presidential debates and our social media accounts flood with political ads and memes, it may seem like the next chapter in our country’s history all depends on the winner of this next big election. It can be easy to forget about the smaller, local elections and the changes we can make in our communities by researching and voting for local officials. As Marc Levin’s new documentary, Stockton On My Mind, shows, local elections can be a catalyst for social justice and meaningful changes in our own backyards. In 2016, on the same day that Donald Trump won the presidential election, 26-year-old Michael Tubbs became the first black mayor, not to mention the youngest, of Stockton, California. Stockton On My Mind highlights not only Tubbs’s journey and the positive impact he has had on his hometown, but the strength of local communities and the power of reform from within. It’s a thought-provoking film that seeks to tell a different narrative about low-income, high-crime communities and to inspire audiences to pursue lasting changes in their own towns.
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"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it." Archives
April 2021
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