This Valentine’s Day, Do Something Different (Or, Stay in and Watch a Warm and Familiar Rom-Com That Will Melt Your Heart)
Heartwarming romantic comedy Marry Me will hit theaters just in time for Valentine’s Day. The flick stars rom-com veterans Jennifer Lopez and Owen Wilson, along with comedian Sarah Silverman, singer-songwriter Maluma, and the impressive young Chloe Coleman. Based on the graphic novel by Bobby Crosby, the movie is about an unlikely romance between popstar Kat Valdez (Lopez) and divorced math teacher Charlie Gilbert (Wilson). Kat is all set to marry a fellow performer named Bastian (Maluma), and their wedding will be the event of the decade. They plan to tie the knot during an extravagant concert with hundreds of fans watching in person and millions more streaming the ceremony in countries all over the world. But after a last-minute hiccup, Kat is left questioning everything. As she steps out in front of the crowd with ice-cold feet, she realizes that if she wants something different, she has to do something different. And that’s when she notices Charlie’s face in the crowd. In a moment of desperation, Kat points to Charlie and says, “I’ll marry you.”
Adam McKay’s “Don’t Look Up” Defines Apocalyptic Anxiety for Post-Trump America in a COVID-Era World. No Nuance Needed.
Kate Dibiasky (Jennifer Lawrence) begins her morning like any other. She makes a cup of tea, curses at herself as she prepares her jam and toast, pops in her earbuds, and plants herself in the observatory at Michigan State. But as she looks out at the stars, she notices something strange, out of place, and beautiful: a comet, fierce and fiery, making its way across the solar system. For a brief moment, Kate experiences the joy of genuine discovery. She’s soon joined in the observatory by her fellow PhD candidates and their mentor, astronomy professor Randall Mindy (Leonardo DiCaprio). But after conducting a few calculations, Kate and Randall come to a stomach-churning realization about the comet.
In the Style of Teen Classics Like “The Breakfast Club” and “Dead Poets Society,” Daigo Matsui’s “Remain in Twilight” Appeals to Our Restless Youthful Spirits With Wit and Sincerity [Fantasia International Film Festival]
It’s not every day we get the chance to chat with a loved one who has passed on. Skeptics would say that we never get that opportunity. If you’ve lost someone important to you, you’ve probably at least imagined having one last conversation with them, whether you believe in the afterlife or not. Imagining that conversation can provide a sense of comfort and closure that unexpected death does not grant us. But if you did get the chance to spend a day with someone you’ve lost, would it really be enough time to get the closure you need? Writer/director Daigo Matsui builds an elaborate fantasy based on that very question in his latest feature film, Remain in Twilight, which screened at the 2021 Fantasia International Film Festival. Based on Matsui’s play of the same name, the film provides a funny, sincere, and powerful take on grief and mortality.
“Be careful what you wish for, be certain what you pray for:” Religious intentions are put on trial in “The Righteous” [Fantasia International Film Festival]
If you’re into Southern Gothic literature, you’ll go nuts over Mark O’Brien’s feature directorial debut, The Righteous, which screened at the Fantasia International Film Festival earlier this month. Granted, it was filmed in Canada and not the American South, but it sure does capture the dread, madness, religious anxiety, supernatural freakishness, and overall darkness of the genre. The Righteous tells the tale of ex-priest Frederic (Henry Czerny) and his wife, Ethel (Mimi Kuzyk), who are trying to make sense of their lives after they lose their only daughter. The couple’s mourning process comes to a halt one night when a stranger, Aaron (Mark O’Brien), shows up outside their home with a sprained ankle. Aside from his irreverent vocabulary and general secretiveness, Aaron is a harmless, mild-mannered kid. However, his presence casts a haunting shadow over Frederic and Ethel’s household, a shadow that will change their lives forever.
Despite its tried and true formula and undeniable star power, “Cry Macho” falls far below expectations
A washed-up has-been, played by a seasoned veteran of the silver screen, teaches a young boy in the midst of a family crisis what it really means to be a man, and hilarious shenanigans ensue amidst heartwarming emotional development. Sounds like an instant classic, right? After all, the formula worked for Secondhand Lions, and similar story lines have served as the basis for countless other successful Hollywood flicks. With a star like Clint Eastwood serving as director and lead actor, you’d think that not much could go wrong. Unfortunately, however, the creative team behind Cry Macho relied a bit too much on Eastwood’s star power. The lighthearted western / road trip comedy may entertain a few Eastwood fans who have nothing better to watch, but overall, the flick leaves much to be desired.
“Small Engine Repair” fires on all cylinders with breathtaking performances and nuanced thematic development
Scotch, steaks, and a small-engine repair shop - the perfect recipe for an evening of male comradery and boyish banter. When single-father Frankie (John Pollono) invites two of his lifelong buddies to watch a pay-per-view fight in his shop, his pals have no idea that he’s actually recruiting them for his mad and dangerous plan to help his daughter, Crystal (Ciara Bravo). John Pollono’s deceptively simple Small Engine Repair is packed with tension and suspense, and it provides a subtle yet thorough investigation of modern masculinity. Pollono wrote, directed, and starred in the film, which is based on his award-winning play of the same name. Small Engine Repair was accepted to the 2020 SXSW Film Festival, but the release was delayed due to the COVID-19 pandemic. Starting this Friday, September 10, 2021, you can catch this pleasantly surprising dark comedy / thriller on the big screen.
You may want to leave a few lights on to watch “The Last Thing Mary Saw,” a visually petrifying feature debut from writer/director Edoardo Vitaletti. [Fantasia International Film Festival]
You don’t necessarily need complex characters or ingenious plot twists to write an engaging story. With strong imagery and a clear, palpable tone that physically affects your audience, you can transform the most overdone plot into a memorable tale. Writer/director Edoardo Vitaletti demonstrates that kind of storytelling craftsmanship in his feature debut, The Last Thing Mary Saw, which premiered at the 2021 Fantasia International Film Festival. Every aspect of this suffocatingly dark period drama, including its characters and plot, takes a backseat to its tone and mood. As a result, The Last Thing Mary Saw is bursting with palpable dread that will chill you to the bone.
Relive your angsty teen years with “Shoplifters of the World,” a cinematic tribute to The Smiths from director Stephen Kijak.
When you’re a teenager, every little upset feels like the end of the world. Failing a test, losing the big game, watching your crush take someone else to prom, or even finding out that your favorite band broke up can send you to bed in tears. In fact, in 1987, one teen was so moved by the music of The Smiths that, after the band broke up, he plotted to break into a local radio station and force the DJ to play nothing but Smiths tracks at gunpoint. In real life, the young man turned himself in before going through with his plan. But in Shoplifters of the World, a cinematic tribute to The Smiths, writer/ director Stephen Kijak imagines a different outcome to the story. Although The Smiths may be long broken up, you can relive the mood and culture they inspired with a DVD or Blu-ray copy of Shoplifters of the World from RLJE Films.
Disney’s “Jungle Cruise” is packed with thrilling twists and turns, recreating classic adventure flicks for a new generation of young cinemagoers.
If you’ve ever stood in an hour-long line just to take your kids on a 10-minute amusement park ride, you’re probably wondering how anyone could transform the brief thrills of that attraction into an engaging feature-length movie. But, in 2003, Disney did it as only Disney can, releasing the first of five Pirates of the Caribbean movies that, together, would bring in billions at the box office. Disney has taken another stab at theme park-inspired films with Jungle Cruise, which is based on the Disneyland attraction of the same name. The ride itself was inspired by Disney’s “True Life Adventure” documentaries and has been around since the park opened in 1955. Decades later, Disney now gives the “jungle cruise” concept a new twist under the direction of Jaume Collet-Serra (The Shallows, 2016; Run All Night 2015).
"Black Widow" brings the action, talent, drama and laughs… as all Marvel movies do.
Before she was saving the world with Iron Man, Thor, The Hulk, and Captain America, founding Avenger and kick-ass spy Black Widow (aka Natasha Romanoff) was…well, what was she doing? It’s a question that Marvel Cinematic Universe (MCU) fans have been asking since Black Widow made her franchise debut in Iron Man 2 (2010). Her past was shrouded in mystery, making her the ideal character for a solo spin off movie, and Scarlett Johansson brought such strength and emotional depth to the character that we couldn’t help but ask for more. A Black Widow movie couldn’t just be an exposition on the character’s past. It needed to give her the chance to stand in the spotlight and get some much-deserved screen time. It needed to be unique, action-packed, and emotionally satisfying. It needed to add meaning to the character and allow fans to appreciate Black Widow’s role in other MCU movies even more. As fans waited years for such a movie, these expectations only grew. After one extra year of waiting due to the pandemic, MCU fans will finally get what they’ve been waiting for on July 9, 2021. The question is, does Black Widow live up to years of fan expectations?
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."