Disney’s “Jungle Cruise” is packed with thrilling twists and turns, recreating classic adventure flicks for a new generation of young cinemagoers.
If you’ve ever stood in an hour-long line just to take your kids on a 10-minute amusement park ride, you’re probably wondering how anyone could transform the brief thrills of that attraction into an engaging feature-length movie. But, in 2003, Disney did it as only Disney can, releasing the first of five Pirates of the Caribbean movies that, together, would bring in billions at the box office. Disney has taken another stab at theme park-inspired films with Jungle Cruise, which is based on the Disneyland attraction of the same name. The ride itself was inspired by Disney’s “True Life Adventure” documentaries and has been around since the park opened in 1955. Decades later, Disney now gives the “jungle cruise” concept a new twist under the direction of Jaume Collet-Serra (The Shallows, 2016; Run All Night 2015).
With limited resources at hand, the incredible cast and crew of A Ghost Waits truly came through with teamwork and creativity. Making the most of what they had and pooling resources from family and friends, the team shot the movie in Cincinnati, Ohio, in 2016. After its first public screening at Fright Fest Glasgow in March 2020, the movie underwent a few more tweaks and changes before it was released for streaming on Arrow in February 2021. The final version of this quirky horror/romcom is a testament to the crew’s perseverance and collaborative efforts, showcasing their enormous love for filmmaking. In the words of director and co-writer Adam Stovall, the movie isn’t perfect, but it’s “the best version of itself” possible. You can now get the full scoop on the story behind the film from the interviews and commentaries included on the Blu-ray from Arrow Video, which makes the perfect gem to add to your home collection.
According to the press notes for Call for Dreams, Israeli director Ran Slavin started the project in pursuit of a “new cinematic form.” Slavin began with the idea to collect dreams from strangers that he could use as inspiration for his film and he ended up incorporating this idea into the plot of the film itself. Call for Dreams revolves around a young woman named Eko (Mami Shimazaki) who posts a “Call for Dreams” advertisement in a Tokyo newspaper. Strangers can describe their dreams to Eko by leaving a message on her answering machine, and if she approves of the dream, she’ll visit the customer and act out their dream for a fee. Meanwhile, an investigator in Tel Aviv (Yehezkel Lazarov) listens to old tapes on Eko’s machine as he investigates a murder. The two stories overlap in abstract ways that blur the lines between dreams, memories, and reality. Although the film flew under the radar for its international streaming release in late 2020, Call for Dreams is an intriguing film that deserves praise and critical attention.
Nature documentary “Awaken” is a magnificent cinematic experience, reminding us that humankind is part of a much larger narrative.
Press materials for Tom Lowe’s Awaken describe the film as a documentary that explores “humanity's relationship with technology and the natural world.” Although I didn’t realize it until I was halfway through the film, this description set me up to expect a depressing film about climate change. Of course, it’s more important than ever to educate ourselves on the reality of climate change, but Lowe doesn’t use depressing imagery and horrific statistics to send a message about preserving nature. By using breathtaking montages of our planet’s most exquisite sights, Lowe puts nature itself at the center of the story and positions humanity as an integral part of the natural world rather than an inherently destructive force. The visually stunning and immersive documentary sends a hopeful message of renewal while reminding us of our responsibility as Earth’s caretakers.
Charming, well-crafted, and funny, Adam Stovall’s romance/horror mashup “A Ghost Waits” is a delightfully spooky good time.
Adam Stovall’s micro-budget flick, A Ghost Waits, makes a pretty convincing argument that romance and horror can work really well together. Stovall doesn’t simply juxtapose the genres or jump back and forth between sweet and horrific moments. Instead, he takes the time to explore the space in which romance and horror overlap. Most of A Ghost Waits is simply a fun and easy-going good time that doesn’t require you to think too much, but it’s also got a handful of breathtaking shots that will send chills down your spine (and it’s impossible to tell if those chills are the result of horror or romance). This surprising genre mashup makes the most of its limited resources, showing that craftsmanship and technique can go a long way when it comes to movie making.
Jack (MacLeod Andrews) is a handyman for a property management company. He’s pretty lonely (a fact made obvious by how much he talks to himself) and devastatingly underappreciated by his boss and friends. While working on repairs for a rental house, he quickly discovers why all the former tenants left so suddenly. The house is haunted by a self-confident, no-nonsense ghost named Muriel (Natalie Walker). For years, it’s been Muriel’s job as a “spectral agent” to scare away every single person who moves into “her” house. While Jack has pretty much the opposite job (to fix up the house so that more people can move in), the unlikely duo quickly form a bond. Of course, that bond is tested as it’s stretched between the world of the living and the world of the dead, and a good-old-fashioned lover’s dilemma ensues.
Created by the founding members of American folk-rock band, The Sweet Remains, "The Independents" takes us on a delightful musical adventure
Simply put, The Independents is about three guys, a van, and some jams. That tells you just about all there is to know about the content of this little indie film, but it doesn’t account for the experience of watching it or the incredible way that this flick establishes a nostalgic, comfortable tone. The Independents stars Rich Price, Greg Naughton, and Brian Chartrand, real-life band members of The Sweet Remains, who play fictionalized versions of themselves. Loosely based on their actual interactions and experiences, The Independents tells the story of three down-and-out artists who happen to meet at a time in their lives when they need to make music more than ever before. As you might expect, this road-trip band fantasy movie is filled with musical montages, crowded bars, shared joints, and even a grandiose monologue delivered on a hilltop overlooking LA. More than anything, however, The Independents is about capturing a certain mood, like a glossy motion-picture scrapbook of the band’s favorite memories.
With a darkly comedic, absurdist and fantastical tone, the style of “The Mimic” is more impressive than its content
The tagline for The Mimic, “the lighter side of being a sociopath,” boasts an intriguing story for anyone interested in representations of mental illness on screen. While this dark comedy from writer/director Thomas F. Mazziotti is not quite the informative and mental health-positive flick you might expect, The Mimic still has several interesting stylistic tidbits to offer. The story’s self-proclaimed narrator (Thomas Sadoski) is a brooding screenwriter and widower who becomes suspicious of the new guy in his neighborhood, referred to as “The Kid” (Jake Robinson). After both men attend a meeting for the community newspaper, The Kid starts following The Narrator around everywhere and popping up in the most unlikely places, leading The Narrator to believe that this unwanted “mimic” is a certified sociopath. However, The Narrator is also pining after The Kid’s young wife, who is characterized as a beauty so perfect that she cannot be shown on screen. As The Narrator takes a deep dive into obsessive research on sociopaths and even begins writing a screenplay about The Kid, it’s hard to tell if he is being stalked by his overeager new neighbor or if The Narrator is turning into a stalker himself. With dark humor and an obscure style, The Mimic is an off-beat, self-referential buddy comedy that touches on psychology and interpersonal relationships.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."