Michael Bryce and Darius Kincaid are back, marking the return of summer action and adventure at the movies.
One unexpected side effect of quarantine (for me, at least) was content fatigue - specifically, streaming content fatigue. At first, I was excited to use my newfound free time to catch up on all the movies and shows I had missed. But once I finished Tiger King, I just couldn’t seem to commit to anything new. I was so overwhelmed by the number of choices that I ended up watching the same things over and over again. With new movies and shows coming out every day, there’s pretty much an infinite number of choices. It’s now more difficult than ever for filmmakers to get us interested in their projects (not to mention, getting us to sit through a feature-length movie). But if there’s one technique that’s still a sure-fire way to gain attention from a mass audience, it’s star power. There are certain names that are sure to get millions of clicks on a streaming site - and now that theaters are opening again, those names can also get us out of the house and into a theater seat. An all-star cast can give a formulaic sequel like The Hitman’s Wife’s Bodyguard the leg up it needs to attract a crowd, even if that crowd probably won’t come back for a second viewing.
As literature and media consumers, we’re accustomed to reading stories that fit neatly into one of a few familiar narrative templates. Regardless of genre, even the most unique original screenplays can be reduced down to a basic plot formula that we’ve already encountered a million times (according to author Christopher Booker, there are in fact 7 basic plots, hence the title of his 2004 book). The hero’s journey, for one, is proven cinematic gold, as we’ve seen with the Marvel franchise’s takeover of 21st century cinema. This plot structure not only provides us with a thrilling adventure, but it allows us to indulge in the possibility that we, too, could one day be a hero. With social media personalities plastered all over our screens, it’s nice to escape into a fantasy world where the most ordinary people get the chance to prove their moral strengths. This is the kind of fantasy that screenwriter Tom O'Connor created in his Cold War espionage thriller, The Courier. Working with director Dominic Cooke, O'Connor pulls together a variety of historical sources to craft a classic based-on-true-events story that reminds us why we keep going back to the movies.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."