Disney’s “Jungle Cruise” is packed with thrilling twists and turns, recreating classic adventure flicks for a new generation of young cinemagoers.
If you’ve ever stood in an hour-long line just to take your kids on a 10-minute amusement park ride, you’re probably wondering how anyone could transform the brief thrills of that attraction into an engaging feature-length movie. But, in 2003, Disney did it as only Disney can, releasing the first of five Pirates of the Caribbean movies that, together, would bring in billions at the box office. Disney has taken another stab at theme park-inspired films with Jungle Cruise, which is based on the Disneyland attraction of the same name. The ride itself was inspired by Disney’s “True Life Adventure” documentaries and has been around since the park opened in 1955. Decades later, Disney now gives the “jungle cruise” concept a new twist under the direction of Jaume Collet-Serra (The Shallows, 2016; Run All Night 2015).
Before she was saving the world with Iron Man, Thor, The Hulk, and Captain America, founding Avenger and kick-ass spy Black Widow (aka Natasha Romanoff) was…well, what was she doing? It’s a question that Marvel Cinematic Universe (MCU) fans have been asking since Black Widow made her franchise debut in Iron Man 2 (2010). Her past was shrouded in mystery, making her the ideal character for a solo spin off movie, and Scarlett Johansson brought such strength and emotional depth to the character that we couldn’t help but ask for more. A Black Widow movie couldn’t just be an exposition on the character’s past. It needed to give her the chance to stand in the spotlight and get some much-deserved screen time. It needed to be unique, action-packed, and emotionally satisfying. It needed to add meaning to the character and allow fans to appreciate Black Widow’s role in other MCU movies even more. As fans waited years for such a movie, these expectations only grew. After one extra year of waiting due to the pandemic, MCU fans will finally get what they’ve been waiting for on July 9, 2021. The question is, does Black Widow live up to years of fan expectations?
Michael Bryce and Darius Kincaid are back, marking the return of summer action and adventure at the movies.
One unexpected side effect of quarantine (for me, at least) was content fatigue - specifically, streaming content fatigue. At first, I was excited to use my newfound free time to catch up on all the movies and shows I had missed. But once I finished Tiger King, I just couldn’t seem to commit to anything new. I was so overwhelmed by the number of choices that I ended up watching the same things over and over again. With new movies and shows coming out every day, there’s pretty much an infinite number of choices. It’s now more difficult than ever for filmmakers to get us interested in their projects (not to mention, getting us to sit through a feature-length movie). But if there’s one technique that’s still a sure-fire way to gain attention from a mass audience, it’s star power. There are certain names that are sure to get millions of clicks on a streaming site - and now that theaters are opening again, those names can also get us out of the house and into a theater seat. An all-star cast can give a formulaic sequel like The Hitman’s Wife’s Bodyguard the leg up it needs to attract a crowd, even if that crowd probably won’t come back for a second viewing.
Action/adventure flick “Burn It All” trips and stumbles over its stiff dialogue, making it difficult to take the story seriously.
Originally published on Elements of Madness.
Like a well-choreographed action sequence, movies have a lot of moving parts. While certain aspects of a film might not fall into place, the film may do so well in other areas that it turns out alright in the end. With so many different elements at play, movies can usually balance out or even cover up their weak spots. However, Brady Hall’s Burn It All gets so tripped up by its own dialogue that it never quite finds its balance. While there’s clearly a talented team at work behind the camera and in post-production, their talents can’t quite make up for the movie’s cringe-worthy speech.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."