“Be careful what you wish for, be certain what you pray for:” Religious intentions are put on trial in “The Righteous” [Fantasia International Film Festival]
If you’re into Southern Gothic literature, you’ll go nuts over Mark O’Brien’s feature directorial debut, The Righteous, which screened at the Fantasia International Film Festival earlier this month. Granted, it was filmed in Canada and not the American South, but it sure does capture the dread, madness, religious anxiety, supernatural freakishness, and overall darkness of the genre. The Righteous tells the tale of ex-priest Frederic (Henry Czerny) and his wife, Ethel (Mimi Kuzyk), who are trying to make sense of their lives after they lose their only daughter. The couple’s mourning process comes to a halt one night when a stranger, Aaron (Mark O’Brien), shows up outside their home with a sprained ankle. Aside from his irreverent vocabulary and general secretiveness, Aaron is a harmless, mild-mannered kid. However, his presence casts a haunting shadow over Frederic and Ethel’s household, a shadow that will change their lives forever.
Despite its tried and true formula and undeniable star power, “Cry Macho” falls far below expectations
A washed-up has-been, played by a seasoned veteran of the silver screen, teaches a young boy in the midst of a family crisis what it really means to be a man, and hilarious shenanigans ensue amidst heartwarming emotional development. Sounds like an instant classic, right? After all, the formula worked for Secondhand Lions, and similar story lines have served as the basis for countless other successful Hollywood flicks. With a star like Clint Eastwood serving as director and lead actor, you’d think that not much could go wrong. Unfortunately, however, the creative team behind Cry Macho relied a bit too much on Eastwood’s star power. The lighthearted western / road trip comedy may entertain a few Eastwood fans who have nothing better to watch, but overall, the flick leaves much to be desired.
“Small Engine Repair” fires on all cylinders with breathtaking performances and nuanced thematic development
Scotch, steaks, and a small-engine repair shop - the perfect recipe for an evening of male comradery and boyish banter. When single-father Frankie (John Pollono) invites two of his lifelong buddies to watch a pay-per-view fight in his shop, his pals have no idea that he’s actually recruiting them for his mad and dangerous plan to help his daughter, Crystal (Ciara Bravo). John Pollono’s deceptively simple Small Engine Repair is packed with tension and suspense, and it provides a subtle yet thorough investigation of modern masculinity. Pollono wrote, directed, and starred in the film, which is based on his award-winning play of the same name. Small Engine Repair was accepted to the 2020 SXSW Film Festival, but the release was delayed due to the COVID-19 pandemic. Starting this Friday, September 10, 2021, you can catch this pleasantly surprising dark comedy / thriller on the big screen.
You may want to leave a few lights on to watch “The Last Thing Mary Saw,” a visually petrifying feature debut from writer/director Edoardo Vitaletti. [Fantasia International Film Festival]
You don’t necessarily need complex characters or ingenious plot twists to write an engaging story. With strong imagery and a clear, palpable tone that physically affects your audience, you can transform the most overdone plot into a memorable tale. Writer/director Edoardo Vitaletti demonstrates that kind of storytelling craftsmanship in his feature debut, The Last Thing Mary Saw, which premiered at the 2021 Fantasia International Film Festival. Every aspect of this suffocatingly dark period drama, including its characters and plot, takes a backseat to its tone and mood. As a result, The Last Thing Mary Saw is bursting with palpable dread that will chill you to the bone.
Relive your angsty teen years with “Shoplifters of the World,” a cinematic tribute to The Smiths from director Stephen Kijak.
When you’re a teenager, every little upset feels like the end of the world. Failing a test, losing the big game, watching your crush take someone else to prom, or even finding out that your favorite band broke up can send you to bed in tears. In fact, in 1987, one teen was so moved by the music of The Smiths that, after the band broke up, he plotted to break into a local radio station and force the DJ to play nothing but Smiths tracks at gunpoint. In real life, the young man turned himself in before going through with his plan. But in Shoplifters of the World, a cinematic tribute to The Smiths, writer/ director Stephen Kijak imagines a different outcome to the story. Although The Smiths may be long broken up, you can relive the mood and culture they inspired with a DVD or Blu-ray copy of Shoplifters of the World from RLJE Films.
Disney’s “Jungle Cruise” is packed with thrilling twists and turns, recreating classic adventure flicks for a new generation of young cinemagoers.
If you’ve ever stood in an hour-long line just to take your kids on a 10-minute amusement park ride, you’re probably wondering how anyone could transform the brief thrills of that attraction into an engaging feature-length movie. But, in 2003, Disney did it as only Disney can, releasing the first of five Pirates of the Caribbean movies that, together, would bring in billions at the box office. Disney has taken another stab at theme park-inspired films with Jungle Cruise, which is based on the Disneyland attraction of the same name. The ride itself was inspired by Disney’s “True Life Adventure” documentaries and has been around since the park opened in 1955. Decades later, Disney now gives the “jungle cruise” concept a new twist under the direction of Jaume Collet-Serra (The Shallows, 2016; Run All Night 2015).
Before she was saving the world with Iron Man, Thor, The Hulk, and Captain America, founding Avenger and kick-ass spy Black Widow (aka Natasha Romanoff) was…well, what was she doing? It’s a question that Marvel Cinematic Universe (MCU) fans have been asking since Black Widow made her franchise debut in Iron Man 2 (2010). Her past was shrouded in mystery, making her the ideal character for a solo spin off movie, and Scarlett Johansson brought such strength and emotional depth to the character that we couldn’t help but ask for more. A Black Widow movie couldn’t just be an exposition on the character’s past. It needed to give her the chance to stand in the spotlight and get some much-deserved screen time. It needed to be unique, action-packed, and emotionally satisfying. It needed to add meaning to the character and allow fans to appreciate Black Widow’s role in other MCU movies even more. As fans waited years for such a movie, these expectations only grew. After one extra year of waiting due to the pandemic, MCU fans will finally get what they’ve been waiting for on July 9, 2021. The question is, does Black Widow live up to years of fan expectations?
Jimmy Olsson’s latest short, “Notes,” is the cathartic relationship movie you didn’t know you needed.
One of the most difficult parts of living alone is the silence. If it weren’t for FaceTime lunches with friends, work calls, and daily conversations with my cat, there might be days where I didn’t even hear the sound of my own voice. When my TV is off, my phone stops buzzing and there’s no sounds coming from outside, there’s this brief terrifying moment where I wonder if everyone else on Earth has disappeared. Even if I break the silence by talking to myself, it feels like I’m just sending my voice out into an empty void where no one will ever hear it. Writer/ director Jimmy Olsson captures this kind of loneliness in his short film, Notes, in which he offers a hopeful answer to the question that appears on the poster, “how can you speak when you have no one to talk to?” In Notes, a man moves into a temporary apartment after his bathroom floods, where he proceeds to work on a song he’s composing for his girlfriend’s birthday. He’s a little rusty on the keyboard and can’t quite find the right notes, but his neighbor chimes in through the wall to help him out.
With limited resources at hand, the incredible cast and crew of A Ghost Waits truly came through with teamwork and creativity. Making the most of what they had and pooling resources from family and friends, the team shot the movie in Cincinnati, Ohio, in 2016. After its first public screening at Fright Fest Glasgow in March 2020, the movie underwent a few more tweaks and changes before it was released for streaming on Arrow in February 2021. The final version of this quirky horror/romcom is a testament to the crew’s perseverance and collaborative efforts, showcasing their enormous love for filmmaking. In the words of director and co-writer Adam Stovall, the movie isn’t perfect, but it’s “the best version of itself” possible. You can now get the full scoop on the story behind the film from the interviews and commentaries included on the Blu-ray from Arrow Video, which makes the perfect gem to add to your home collection.
Originally posted on Elements of Madness.
Storytelling is essential. It’s one of the easiest ways to communicate our values, express our beliefs, and process our experiences. Even our 280-character tweets are a form of storytelling, and many of us couldn’t make it a single day without a little micro-storytelling on social media. While it’s natural for us to jump into a detailed account of our own experiences, it’s not as natural to stop and listen to a different perspective. Movies and TV shows can give us the opportunity to explore other perspectives by replaying the same event from different points of view, the results of which can be comedic, horrific, or totally mind-blowing. In the case of The Get Together, we get to experience a Friday night party from the perspective of four very different twenty-somethings: an outcast who wasn’t really invited, a nervous guy trying to plan the perfect proposal, a career-driven student who returns to her hometown for the first time in months, and a wannabe musician who’s wondering if his dreams might be too big.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."