Diary of a Spectator: Movie Reviews
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Batman’s Back, and He’s Showing Up in Style: Experience the Thrills of “The Batman” in Theaters Starting Friday, March 4 (Spoiler-Free Review)

3/3/2022

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Things are looking grim in Gotham City. As per usual, there's plenty of crookedness afoot — and the city’s elected officials can’t be trusted to stop the criminals of Gotham. On Halloween night, just days before the mayoral election, one of the most important men in the city is brutally murdered in his home. Commissioner Gordon (Jeffrey Wright) is on the case right away, and he brings a certain Caped Crusader (Robert Pattinson) along to help. Batman’s quick thinking comes in handy when investigators discover a riddle left behind by the murderer. Unfortunately, the answer to that riddle doesn’t give Gotham City police much information. It won’t be long before the sneaky Riddler (Paul Dano) strikes again, and Batman must act fast to stop him. ​

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Well-Crafted Suspense Evolves Into Self-Indulgent Gore in “No Exit”

2/25/2022

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A scene from 20th Century Studios' NO EXIT, exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
If you want to avoid a horror-movie situation, it’s probably best to stay away from isolated cabins in the dead of winter. Stephen King was certainly onto something when he set The Shining and Misery in snowed-in Colorado abodes.  The strange, frigid silence of a snowstorm is the perfect backdrop for stories about isolation and hopelessness. That’s why director Damien Power was so drawn to No Exit, a novel by Taylor Adams, which also takes place during a blizzard in Colorado. In Power’s film adaptation of the book, which premieres February 25, 2022, on Hulu, Power makes the most of the snowy, isolated setting. He creates the ideal setup for the heroine, Darby (Havana Rose Liu), to undergo intense physical and psychological distress.

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“Knocking” Takes Its Time Building Suspense, but Cecilia Milocco’s Steady Performance Will Keep You Hooked

1/29/2022

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Originally published on Elements of Madness.
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Çecilia Milocco as Molly in KNOCKING.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on what kind of noise you hear, you might even opt to skip the awkward conversation and call the police. But what happens when nobody else can hear what you’re hearing? What do you do when someone is calling out to you for help and the police don’t believe you? Who can you turn to when your neighbors think you’re having a psychotic break? In Frida Kempff’s psychological thriller, Knocking, a woman named Molly (Cecilia Milocco) becomes suspicious of the men in her apartment building when she hears persistent knocking and crying coming from the floor above her at night. No one else can hear it, and no one is interested in helping her solve the mystery. But Molly knows what she heard, and she’ll stop at nothing to help the unknown woman on the other side of her ceiling.

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“Be careful what you wish for, be certain what you pray for:” Religious intentions are put on trial in “The Righteous” [Fantasia International Film Festival]

10/3/2021

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Originally published on Elements of Madness. 
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L-R: Mark O’Brien as Aaron and Henry Czerny as Frederic in THE RIGHTEOUS.
If you’re into Southern Gothic literature, you’ll go nuts over Mark O’Brien’s feature directorial debut, The Righteous, which screened at the Fantasia International Film Festival earlier this month. Granted, it was filmed in Canada and not the American South, but it sure does capture the dread, madness, religious anxiety, supernatural freakishness, and overall darkness of the genre. The Righteous tells the tale of ex-priest Frederic (Henry Czerny) and his wife, Ethel (Mimi Kuzyk), who are trying to make sense of their lives after they lose their only daughter. The couple’s mourning process comes to a halt one night when a stranger, Aaron (Mark O’Brien), shows up outside their home with a sprained ankle. Aside from his irreverent vocabulary and general secretiveness, Aaron is a harmless, mild-mannered kid. However, his presence casts a haunting shadow over Frederic and Ethel’s household, a shadow that will change their lives forever.

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    ​​"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it." 
    -Michele Aaron

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