(L-R) Edward Norton as Miles, Madelyn Cline as Whiskey, Kathryn Hahn as Claire, Dave Bautista as Duke, Leslie Odom Jr. as Lionel, Jessica Henwick as Peg, Kate Hudson as Birdie, Janelle Monae as Andi, and Daniel Craig and Benoit Blanc in GLASS ONION: A KNIVES OUT MYSTERY. Cr. John Wilson/Netflix © 2022.
Rian Johnson’s Knives Out (2019) doesn’t need a sequel. It’s a hilarious and delightfully stylized standalone film that showcases Johnson’s creative writing skills and directorial flair. It has an unbeatable cast, side-splitting one-liners, and a clever story that keeps us guessing until the very end. Why would any filmmaker try to match that success with a second movie? After all, sequels and follow-up movies are usually disappointing, and
Johnson had already set the bar pretty high with Knives Out. Maybe he wanted to challenge himself as a writer and director, or maybe he just couldn’t let go of the delightful main character, detective Benoit Blanc (Daniel Craig), and the colorful world that he inhabits. Whatever Johnson’s reasons may have been, he made the right decision in developing a second Knives Out movie. Glass Onion: A Knives Out Mystery exceeds expectations and asserts itself as a movie that’s just as fun, just as funny, and just as unique as its predecessor. Much like the beautiful Greek island where the cast of characters convenes for their murder mystery party, Glass Onion is the perfect mental escape. The script is clever and packed with intriguing, subtle details, and the movie as a whole is a treasure trove of fun, feel-good entertainment.
If the first trailer for Jordan Peele’s Nope piqued your curiosity with its foreboding tone and vague details, then you were probably bummed out by the final trailer, which seemed to give everything away. You’ll be pleased to know that despite its revealing final trailer, Nope still has a handful of surprises to offer. While it's not quite as intense or chilling as Peele’s first two feature films, Get Out (2017) and Us (2019), Nope is a well-developed, well-rounded, and well-crafted flick that is sure to delight crowds at the theater. It’s filled with all the thrills and chills of a summer box-office hit, bringing together the best of comedy, sci-fi, and horror. And, of course, every shot is accented by Peele’s penchant for the disturbing. As the talented writer and director proved with his first two films, Peele has more than a few tricks up his sleeves when it comes to plot twists, uncanny visuals, and bizarre narratives. Peele has not only joined the ranks of 21st century auteurs - he’s also leading the charge.
Taika Waititi’s Thor: Love and Thunder is far removed from Kenneth Branagh’s Shakespearian take on the comic book series in Thor (2011). The fourth Thor film in the MCU is even more wacky and bizarre than Thor: Ragnarok (2017), which was also directed by Waititi. Perhaps the difference is that this time, Waititi was also responsible for the story and co-wrote the script with Jennifer Kaytin Robinson. The good news is, Thor: Love and Thunder features the same cast and characters we’ve come to know and love over the last decade. Throughout the three directorial changes of the Thor films and the many stylistic shifts of the other MCU films featuring Thor, Chris Hemsworth (Thor) and Natalie Portman (Jane Foster) have remained consistent in their performances, developing characters that can stand the test of time. The question is, can those characters withstand yet another attack on the universe by a new, menacing villain? In Love and Thunder, Thor’s strength is tested once again as he faces Gorr the God Butcher (Christian Bale), a dark and devilish figure who’s hellbent on destroying all gods. King Valkyrie (Tessa Thompson) and Korg (voiced by Waititi) are there to help, but Thor is at a disadvantage because he can’t bring his trusty hammer, Mjolnir, into battle. This time, the legendary weapon has decided to lend its powers to a new warrior: Mighty Thor, aka, Dr. Jane Foster.
(L-R): Tina Belcher (voiced by Dan Mintz), Linda Belcher (voiced by John Roberts), Louise Belcher (voiced by Kristen Schaal), Bob Belcher (voiced by H. Jon Benjamin), Gene Belcher (voiced by Eugene Mirman), and Calvin Fischoeder (voiced by Kevin Kline) in 20th Century Studios' THE BOB'S BURGERS MOVIE. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
It’s been 11 years since America was introduced to the Belcher family – Linda, Tina, Gene, Louise, and Bob – the stars of the animated adult comedy series, “Bob’s Burgers.” The awkward but sincere family has given us plenty to laugh about, and they’ve certainly pushed through their fair share of questionable circumstances. “Bob’s Burgers” stands out because of its oddball characters and its particular flavor of absurd humor – and these are precisely the characteristics that define The Bob’s Burgers Movie. Yes, after 200+ episodes full of potty jokes, musical numbers, pubescent sexual angst (on Tina’s part), and “wholesome” family fun, the boisterous Belchers have finally made it to the big screen – and just in time for summer.
“Chip ‘n Dale: Rescue Rangers” Has Its Chipmunk Cheeks Stuffed With Nostalgic References to Classic Cartoons
In 1943, Disney introduced the world to a pair of chipmunks, Chip and Dale, in the cartoon short, “Private Pluto.” The delightful duo made appearances in a number of other shorts over the years, and in 1988 they finally landed their own show. But what happened to Chip and Dale after that show ended in 1990? After three decades out of the spotlight, the classic cartoon characters have returned in an all-new movie, Chip ‘n Dale: Rescue Rangers. Even though the new film seeks to introduce the beloved characters to a new generation, it’s just as much for the parents in the audience as it is for the kids. Chip ‘n Dale: Rescue Rangers is a hilarious feature-length running joke about the evolution of animation, and it’s got its chipmunk cheeks packed full of references to nostalgic cartoon characters.
We Need to Talk About Dialogue and Character Development: Todd Wolfe’s Gamer Comedy “We Need to Talk” Misses the Target
If you really want to mess with someone’s head, all you have to do is send them a text that says, “we need to talk,” and then wait a few hours before telling them what you want to talk about. It’s a maddening social cliffhanger that will drive anyone crazy with anxiety, and it’s also a great setup for a movie. Writer / director Todd Wolfe begins his gamer comedy flick, We Need to Talk, on a seemingly ordinary morning in the life of a gaming influencer named Scott (James Maslow), who goes by Great Scott online. The typical morning turns into a rather unusual day when Scott’s girlfriend, Aly (Christel Khalil), says that when she gets home from work, the two of them “need to talk.” Scott immediately starts obsessing over what Aly might want to talk about, and he even posts about it on social media for his thousands of subscribers to see. Of course, everyone has a different opinion about the situation, and Scott can only wait until the end of the day to find out what’s really going on. Meanwhile, he needs to finish a video review for a new game that’s about to drop, and his producer / editor Joe (Johnathan Fernandez) won’t get off his case about it. Much like Scott, the audience is left to wonder what Aly wants to talk about, and that curiosity keeps us watching through corny dialogue and insincere character development. We Need to Talk may not have a whole lot to offer, but at least it’s got a story question that will keep you watching until the end (or perhaps make you want to fast-forward just to see the end).
As Writer, Director, Editor, and Lead Actress in “Maybe Someday,” Michelle Ehlen Tells an Honest Story About Breaking Up and Moving On
Maybe someday I’ll take a vacation. Maybe someday I’ll reconnect with my best friend from high school. Everyone has their “maybe someday” — and for Jay (Michelle Ehlen), the subject of the feature film Maybe Someday, her wish for the future is to restore her relationship with her wife, Lily (Jeneen Robinson). But Jay knows that before she can make things work with her wife, she has to take some time to herself. So, she packs up a duffle bag and makes plans to move, at least temporarily, to Los Angeles, where she’ll focus on her photography career. On the way, she decides to visit her best friend from her teen years, Jess (Shaela Cook), and ends up staying with Jess for a while as she finds her emotional bearings. The majority of Maybe Someday takes place during this extended visit. As Jay confronts formative moments from her past and grapples with heartbreak, she also befriends a very unlikely sidekick, Tommy (Charlie Steers), a wannabe standup comedian who complicates the gay best friend stereotype. All the while, Jay holds out hope that her “maybe someday” wish will happen sooner rather than later.
This Valentine’s Day, Do Something Different (Or, Stay in and Watch a Warm and Familiar Rom-Com That Will Melt Your Heart)
Heartwarming romantic comedy Marry Me will hit theaters just in time for Valentine’s Day. The flick stars rom-com veterans Jennifer Lopez and Owen Wilson, along with comedian Sarah Silverman, singer-songwriter Maluma, and the impressive young Chloe Coleman. Based on the graphic novel by Bobby Crosby, the movie is about an unlikely romance between popstar Kat Valdez (Lopez) and divorced math teacher Charlie Gilbert (Wilson). Kat is all set to marry a fellow performer named Bastian (Maluma), and their wedding will be the event of the decade. They plan to tie the knot during an extravagant concert with hundreds of fans watching in person and millions more streaming the ceremony in countries all over the world. But after a last-minute hiccup, Kat is left questioning everything. As she steps out in front of the crowd with ice-cold feet, she realizes that if she wants something different, she has to do something different. And that’s when she notices Charlie’s face in the crowd. In a moment of desperation, Kat points to Charlie and says, “I’ll marry you.”
For Better or Worse, Family Comes First in “The Fabulous Filipino Brothers,” Dante Basco’s Feature Directorial Debut
Dante Basco is a Filipino American actor, writer, and producer best known for his voice-acting gig as Prince Zuko in “Avatar: The Last Airbender” (2005-2008) and his role as Rufio in Hook (1991). But before his breakout role as the skateboarding, insult-throwing, skunk-haired leader of the lost boys, he was making a name for himself as a break-dancer alongside his brothers: Derek, Dionysio, and Darion. All four Basco brothers went on to pursue careers in the film and entertainment industry — and since they had performed together as teens, it’s no surprise that the fraternal quartet wanted to make a movie together as adults. In 2000, all four brothers appeared in the family dramedy The Debut. Then, in 2021, they came together to make a movie once again, this time with Dante as director. The Fabulous Filipino Brothers celebrates love, Filipino-American culture, and above all, family. Dante, Derek, Dionysio, and Darion play four adult brothers who are still trying to figure out what it means to be grownups, much like Rufio and the lost boys in Hook. Their strengths and weaknesses are tested in a series of comedic predicaments that bring them closer together as they prepare for a wedding. The Fabulous Filipino Brothers premiered at the SXSW Film Festival in March of 2021, and it will be available to enjoy on VOD platforms starting February 8, 2022.
Time Is of the Essence in “Beyond the Infinite Two Minutes,” a Delightful and Intellectually Stimulating Feature Film From Theatrical Troupe EUROPE KIKAKU
We go to movie theaters to see blockbusters. We go to film festivals to see experimental movies — and we hope that these cinematic experiments will have something fresh and new to offer. In 2021, film festival goers from around the world were able to satisfy their appetite for something new with Beyond the Infinite Two Minutes, the first feature film from Japanese theatrical troupe EUROPE KIKAKU. The film’s fluid long takes, stylized comedy, and mind-bending plot impressed audiences at the Brussels International Fantastic Film Festival, the Fantasia International Film Festival, Arrow Video FrightFest, and Fantastic Fest. Starting Tuesday, January 25, 2022, you can watch Beyond the Infinite Two Minutes from the comfort of home. And might I suggest getting really comfortable for this one, because it just might make your brain hurt.
"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it."