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Originally published on Elements of Madness.  L-R: Dr. Ian Malcolm (Jeff Goldblum), Dr. Alan Grant (Sam Neill), Dr. Ellie Sattler (Laura Dern), Claire Dearing (Bryce Dallas Howard), Owen Grady (Chris Pratt), Maisie Lockwood (Isabella Sermon), and Kayla Watts (DeWanda Wise) in JURASSIC WORLD DOMINION, co-written and directed by Colin Trevorrow. In case you missed the theatrical release of Dominion, here’s a spoiler-free rundown: The movie picks up four years after the events of Fallen Kingdom. Isla Nublar, the site of both the original Jurassic Park and the new Jurassic World, has been destroyed. The genetically engineered dinosaurs have been set free to roam the Earth and walk among humans. While ordinary people are trying to figure out how to live their lives with dinosaurs walking around, others have jumped on the opportunity to turn a profit. A dinosaur black market has emerged, and Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt) are working to save as many dinos as possible from the criminal underworld. They’ve set up camp in a remote mountain cabin where they can protect Maisie Lockwood (Isabella Sermon), the first human clone, from the clutches of sinister scientists and money-hungry opportunists. Meanwhile, Lewis Dodgson (Campbell Scott) has begun collecting dinos to study at his biotech company, Biosyn. But that’s not all Biosyn is up to. Their latest attempts to disrupt the agricultural industry have attracted the attention of one Dr. Ellie Sattler (Laura Dern), who turns to her old pals Dr. Ian Malcolm (Jeff Goldblum) and Dr. Alan Grant (Sam Neill) for help. The paths of the original and new characters eventually collide, bringing everyone together for one last face-off against the ferocious and bloodthirsty dinosaurs.
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Originally published on Elements of Madness.   Riann Steele as Anna in THE CREEPING. “Dad, can you tell me a scary story?”
This is not how most children ask to be put to bed, but brave young Anna (Taliyah Blair) isn’t afraid of a few ghosts and goblins. Plus, her dad, Harry (Jonathan Nyati), is a great storyteller. Thus begins Jamie Hooper’s The Creeping, a delightful horror flick that will bring back memories of swapping ghost stories over a bucket of Halloween candy. While The Creeping is undeniably a ghost movie, it’s more likely to make you feel nostalgic than scared. Hooper takes a straightforward scary story and embellishes it with an R. L. Stine-esque style that will make you want to mix in some candy corn with your popcorn. Originally published on Elements of Madness.   The mother in ZERIA, a film by Harry Cleven. Harry Cleven’s Zeria is a wondrous and enlightening celebration of all the things that make us human. Using a combination of miniature sets, practical effects, and puppet-like masks, Cleven creates a breathtaking and unforgettable world that’s mesmerizing, comforting, and terrifying all at the same time. The film is narrated by the last living man on Earth as he writes a letter to his grandson, Zeria, the first human born on Mars. The narrator (voiced by Merlin Delens) tells his grandson about his full and complicated life, offering insight, wisdom, and heartbreaking truth. He talks about his birth, his troubled childhood, his love life, the sociopolitical changes that happened throughout his lifetime, and his lifelong search for meaning, all while seeking connection with someone who has never experienced life on Earth.
Originally published on Elements of Madness.  Greta Bohacek as Irina in A PURE PLACE. One of the scariest things about cults is that they can form right under our noses. Cult leaders need to psychologically isolate their followers in order to maintain control, but they don’t have to keep everyone on a remote island in order to do so. Still, perhaps the best way to illustrate the intense psychological control that cult leaders achieve is to tell a story about a cult that’s geographically isolated from the real world. Perhaps the best way to demonstrate how a deeply disturbed man could earn the trust and respect of a whole community of devout followers is to confine that man and his followers to a remote location that seems to exist in a universe of its own. In Nikias Chryssos’s A Pure Place, a sickeningly imaginative film that he wrote with Lars Henning Jung, the entire population of a remote Greek island is under the spell of a charming and charismatic leader named Fust (Sam Louwyck). This deeply disturbed (but powerful) man is utterly obsessed with cleanliness, and he’s positioned himself as a savior who will lead the people to a pure place that’s free from man’s worst enemy: dirt. In addition to following Fust, the community also worships Hygeia, the Greek goddess of cleanliness. The cult is intense and otherworldly, so separated from the real world that Fust’s twisted desires have become the only law. The one thing connecting this mysterious island to the outside world is the product that Fust’s followers make in his factory: soap.
Originally published on Elements of Madness.   L-R: Lola Berthet as Irina and Jimena Anganuzzi as Carla in THE ATTACHMENT DIARIES. Content/trigger warning: The Attachment Diaries deals with sexual assault, self-harm, mental illness, and abortion. These subjects are also briefly discussed in the review below. The Attachment Diaries is a difficult movie for two reasons. First, it focuses on a handful of difficult topics (including abortion, which has just become more relevant than ever in the United States), and it presents those topics in a blunt and, at times, irreverent way. Second, it’s difficult because it asks us to think about imperfect people in imperfect situations. The film appeals to very raw and carnal emotions, asking viewers to indulge in the thoughts and feelings that we aren’t supposed to think and feel. It’s a good thing that The Attachment Diaries is so masterfully shot, because it may take several viewings to make sense of it.
The “Strawberry Mansion” Home Release Is Your One-Way Ticket to a “Retro-Futuristic” Adventure8/22/2022 Originally published on Elements of Madness.  Kentucker Audley in STRAWBERRY MANSION. Courtesy of Music Box Films. Inception (2010) may be one of the most well-known movies about dreams from the last 20 years, but the indie masterpiece Strawberry Mansion is by far one of the most creative and enchanting. From the minds of co-writers and directors Albert Birney and Kentucker Audley, Strawberry Mansion tells a story about love, imagination, and the importance of dreams, exploring these themes in a rich fantasy world that emulates the sci-fi classics of the VHS era. With a limited budget and a very specific vision for what they wanted to create, Birney and Audley worked for years to make Strawberry Mansion happen. Their years of dedication most definitely paid off, and they succeeded in making a breathtaking and unforgettable movie that transports viewers back to a time when actors in animal costumes was the peak of sci-fi / fantasy production design. The film premiered at the Sundance Film Festival in January of 2021 and went on to screen at the Fantasia International Film Festival later that year. Starting June 21, 2022, Strawberry Mansion will be available on Blu-ray and DVD for fantasy lovers everywhere to add to their home video collections.
Originally published on Elements of Madness.  Adam Driver stars as Maurizio Gucci and Lady Gaga as Patrizia Reggiani in Ridley Scott’s HOUSE OF GUCCI. A Metro Goldwyn Mayer Pictures film. Photo credit: Courtesy of Metro Goldwyn Mayer Pictures Inc © 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved. Money. Family. Power. Betrayal. Scandal. Murder. When the trailer for House of Gucci dropped in the summer of 2021, it promised all this and more. The ambitious film was set to bring one of the most infamous scandals in the history of fashion to life, complete with all the glitz, glam, and drama that only Hollywood can achieve. And if the subject matter alone wasn’t enough, the all-star cast garnered immediate attention from the masses. The ensemble would be led by none other than Lady Gaga, with supporting roles filled by Adam Driver, Jeremy Irons, Jared Leto, Salma Hayek, and crime-drama veteran, Al Pacino. To top it all off, Ridley Scott would direct. The theatrical release came and went in November, and you can now watch the Gucci drama unfold from the comfort of your home on Blu-ray, DVD, or digital. But does House of Gucci live up to expectations? What’s behind all the decadent style that’s so evident in the trailer? Does every second of the two-hour, thirty-eight-minute movie captivate and dazzle audiences as much as the trailer did? It’s a tall order to fill. House of Gucci needed more than a luxurious production design to tell the story of Patrizia Reggiani, an ambitious woman who married into the Gucci family and later coordinated the murder of her ex-husband, Maurizio.
Originally published on Elements of Madness.   Great performers like Aretha Franklin are remembered for much more than their God-given talents. They’re also remembered for their ability to connect with their audience. A good performer will practice and train for years to master their craft, but a great performer will draw on their life experiences to add meaning and depth to their music. Aretha Franklin certainly lived through a full range of human experiences, and she had plenty to share with her audience. So, when Jennifer Hudson took on the challenge of portraying the Queen of Soul in Respect, she did everything she could to capture Aretha’s spirit in a genuine and honoring manner. This fun, flashy, and entertaining musical biopic directed by Liesl Tommy is now available to own on digital, Blu-ray and DVD. The Blu-ray/ DVD combo pack includes five behind-the-scenes featurettes that give us a brief look at the work that went into making the movie.
Originally published on Elements of Madness.  Çecilia Milocco as Molly in KNOCKING. If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on what kind of noise you hear, you might even opt to skip the awkward conversation and call the police. But what happens when nobody else can hear what you’re hearing? What do you do when someone is calling out to you for help and the police don’t believe you? Who can you turn to when your neighbors think you’re having a psychotic break? In Frida Kempff’s psychological thriller, Knocking, a woman named Molly (Cecilia Milocco) becomes suspicious of the men in her apartment building when she hears persistent knocking and crying coming from the floor above her at night. No one else can hear it, and no one is interested in helping her solve the mystery. But Molly knows what she heard, and she’ll stop at nothing to help the unknown woman on the other side of her ceiling.
Originally published on Elements of Madness.  Haizea Carneros as Amaia in ALL THE MOONS. No country’s literature or filmography is short of romance stories. If a writer tells you they’re working on a piece about love, you’ll probably assume they’re talking about romantic love. We live in a culture that prioritizes romance and marriage, and it’s easy to forget that other types of love can be just as fulfilling. When Igor Legarreta and Jon Sagalá wrote a screenplay about a girl searching for love in her doomed existence as an immortal vampire, they decided not to turn their bloodsucker story into a romance. In All the Moons, which screened at the Fantasia International Film Festival in August, the young heroine discovers meaning in her wretched existence not from a romantic relationship, but from the love of a lonely man who becomes the parent she never had. Legarreta and Sagalá undertook a great challenge in choosing to write a vampire movie (at this point, what hasn’t already been done with vampires?), however, they made the most of this fantasy/horror sub-genre by exploring parent/child relationships and the question of consent in matters of life and death. The final product, directed by Legarreta, is an enchanting fantasy that wraps the joy, wonder, and melancholy of an entire lifetime into a single feature-length film.
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