Diary of a Spectator: Movie Reviews
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Spike Lee brings David Byrne’s once in a lifetime musical experience “American Utopia” to HBO and HBO Max.

10/24/2020

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Originally published on Elements of Madness
★★★★★
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L-R: Jacqueline Acevedo, Mauro Refosco, Angie Swan, David Byrne, Tendayi Kuumba, Chris Giarmo, and Bobby Wooten III in DAVID BYRNE’S AMERICAN UTOPIA. Photo by David Lee.
On October 9th, The Broadway League announced, to the severe disappointment of theatre professionals and fans, that Broadway will remain closed until June 2021. It’s difficult to imagine that the musicals, concerts, and plays that have been a New York City staple and a popular tourist attraction for years just aren’t taking place right now. However, even before the pandemic, filmed versions of Broadway shows brought these performances to audiences across the country who couldn’t otherwise afford to experience Broadway theatre. The success of the Hamilton pro-shot, released earlier this summer on Disney+, revealed how these filmed performances can keep the love of theatre alive, even while Broadway remains closed. While film and live theatre are entirely different mediums, and a film certainly cannot replace the experience of a live performance, a pro-shot can create an entirely new perspective on an already amazing show. Oscar and Emmy-winning director Spike Lee has done just that with David Byrne’s American Utopia, which captures a breathtaking, sold-out performance in a way that only film can.

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Review: Morgana [Fantasia Film Festival]

8/22/2020

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Originally published on Elements of Madness
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Among the list of things that you might expect to save your life one day, perhaps one of the least likely is a night with an escort and a headfirst dive into the world of feminist pornography production. For middle-aged housewife Morgana Muses, who had silently suffered through a loveless, sexless marriage for years, it just so happened that the simple act of holding hands with an escort while on a date to the theatre was exactly what she needed to start fighting back against overpowering suicidal thoughts. In a fantastical documentary about her life, which is simply titled, Morgana, this housewife turned porn-star shares the story of how she left behind a hollow, meaningless life to pursue a career in adult films, embarking on a healing journey that would give her the identity and community she had always craved. Directed by the feminist dynamite duo of Isabel Peppard and Josie Hess, Morgana is not just a documentary about porn and sex-work, but an invitation to flourishing self-love. As an official selection of this year’s Fantasia International Film Festival, Morgana gives women of all shapes, sizes, and ages permission to seek out people and communities that can meet their basic human needs, sexual or otherwise.


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Review: Stockton On My Mind

8/22/2020

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Originally published on Elements of Madness
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The 2020 American presidential election is well underway, one that may prove to be the most interesting (or frustrating) elections of the past few decades as the candidates navigate campaign strategies in the midst of a global pandemic. As voters tune in to the presidential debates and our social media accounts flood with political ads and memes, it may seem like the next chapter in our country’s history all depends on the winner of this next big election. It can be easy to forget about the smaller, local elections and the changes we can make in our communities by researching and voting for local officials. As Marc Levin’s new documentary, Stockton On My Mind, shows, local elections can be a catalyst for social justice and meaningful changes in our own backyards. In 2016, on the same day that Donald Trump won the presidential election, 26-year-old Michael Tubbs became the first black mayor, not to mention the youngest, of Stockton, California. Stockton On My Mind highlights not only Tubbs’s journey and the positive impact he has had on his hometown, but the strength of local communities and the power of reform from within. It’s a thought-provoking film that seeks to tell a different narrative about low-income, high-crime communities and to inspire audiences to pursue lasting changes in their own towns.


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    ​​"Our embodied spectator, possibly perverse in her fantasies and diverse in her experience, possesses agency...finally, she must now be held accountable for it." 
    -Michele Aaron

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